Title: “Blood of Brothers: Andy Lau’s Moral Tightrope in Hong Kong’s Underworld Elegy” In the pantheon of Hong Kong crime cinema, Blood of Brothers (1987) stands as a criminally underappreciated gem that dissects fraternal loyalty and institutional corruption through Andy Lau’s career-defining performance. This 1,200-word analysis excavates the film’s layered exploration of 1980s Hong Kong’s […]
