King of Comedy: A Tragicomic Ode to the Delusion and Tenacity of Artistic Dreams Stephen Chow’s King of Comedy (1999) is far more than a slapstick romp—it is a raw, self-reflexive exploration of artistic ambition, societal marginalization, and the fragile line between perseverance and delusion. Through the lens of its protagonist,尹天仇 (Yin Tianchou), Chow crafts […]
