The Royal Tramp: A Chaotic Satire of Power, Identity, and the Absurdity of Heroism Stephen Chow’s The Royal Tramp (1996), known as 大内密探零零发 (Forbidden City Cop in some translations), is a film that defies easy categorization—a slapstick comedy interlaced with existential melancholy, a martial arts parody that doubles as a critique of institutional hypocrisy, and […]
